Introduction to The Holocaust Opera
Posted in Misc. on February 21st, 2011Invisible Toothpicks:
An Introduction to The Holocaust Opera
By, Vince A. Liaguno
Music and horror have always shared a symbiotic relationship. Think of a
scary movie and, inevitably, some ominous snippet of soundtrack accompanies the memory. Try and imagine Halloween and not hear the synthesized notes of John Carpenter’s score, or The Exorcist without Mike Oldfield’s Tubular Bells. Or the menacing chords of composer John Williams’ two-note title theme to Jaws or the screeching violins of Bernard Herrmann’s Psycho score that ushered in Janet Leigh’s showery demise. Music is an essential element to the horror experience, helping to create mood, enhance atmosphere, and foreshadow the imminent terror lurking around every dark corner. It’s as fundamental a sound to horror as the scream itself. Read more…

